Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Giovanni Francesco Guercino
The Raising of Lazarus

ID: 01819

 Giovanni Francesco  Guercino The Raising of Lazarus
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 Giovanni Francesco  Guercino The Raising of Lazarus


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Giovanni Francesco Guercino

1591-1666 Italian Giovanni Francesco Guercino Galleries   Related Paintings of Giovanni Francesco Guercino :. | Virgin and Child with the Patron Saints of Modena | Semiramis Receiving Word of the Revolt of Babylon | Angels Weeping Over the Dead Christ | The Raising of Lazarus | Jacob Receiving Joseph's Coat |
Related Artists:
Giuseppe Pelizza
painted Prato fiorito in 1900 - 1903
Johann Erdmann Hummel
1769 Kassel-1852 Berlin,German painter and writer. He studied from 1782 in the architecture class at the Akademie der Bildenden K?nste at Kassel and subsequently under the Kassel court painter, Wilhelm B?ttner. Hummel retained his connection with architecture, however, and this is manifested in his overpowering concern with structure and perspective. The Kassel court granted Hummel funds for travel and study in Italy and, in 1792, he went to Rome, where he joined a group of fellow Germans, including the painters Johann Christian Reinhart, Johann Martin von Rohden, Friedrich Bury and the architect Friedrich Weinbrenner. In 1796 Joseph Anton Koch joined the group. Hummel also attended the philosophical lectures given by Carl Ludwig Fernow (1763-1808) and became a friend of the archaeologist Aloys Hirt. In Rome,
Jean-francois raffaelli
French, 1850-1924 was a French realist painter, sculptor, and printmaker who exhibited with the Impressionists. He was also active as an actor and writer. He was born in Paris, and showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Leon Gerôme at the Ecole des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time particularly peasants, workers, and rag-pickers seen in the suburbs of Paris in a realistic style.






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